Historical Technical Notes about Early Recordings


For those interested in historical technical information, the private release Solo Collection project was recorded in the early 1990's at Bias Recording Studio in Studio B. At that time, the digital revolution was in its infancy, and not widely commerically available. Multi-track analogue tape with commercial noise reduction was still widely used. That analogue recording medium was used for recording:

The technology used was:

At the time the (earlier songs, Solo Collection and Romantic Duets) were recorded, Bias was using Dolby A noise reduction on master tapes in Studio B.

They upgraded to using Dolby SR noise reduction, which was used for recording Phase I of Hymns and Songs of My Mother.

Dolby SR is still being used commercially for recordings being made using analogue rather than digital.

The conversion processes used for both Dolby A and Dolby SR enabling us to bring the original analog recordings up to the quality demanded by TortoiseClimbing Audio™ for public releases, includes the following steps:

Critical contribution of Accompanist Ms Nancy Reid

When we first started, Terry arranged for the studio to bring in an artist to build many of the accompaniment parts for "I Am the Starlight." We used karaoke tracks for several numbers. Things really changed when we were introducted to the pianist, Nancy Reid, who played on some of the early recordings, and then on many of those on the 1993 Solo Collection album. It was a privilege to work with the fantastic piano accompanist she is. It is not an overstatement to say she made that album possible. It was privately released as a limited number of Cassettes to friends and family in 1993. For details about Ms. Nancy Reid see Nancy Reid.

Archived Playlist for the 1993 Solo Collection Cassette


Following is the playlist of nostalgic love songs on that private album. They span the period from shortly before, during WWII, shortly thereafter; plus it includes several ballads from the 1970's, and two spanish influenced songs. It is almost entirely solo vocal, and dominantly piano accompaniment. Some used Karaoke track accompaniments. Those are being replaced with live recordings.


Play Order
on Cass-
ette

Title


   Credits for Artists

DRAFT Play Length

1

Laura


Piano accompaniment, Nancy Reid,
Engineering Bill McElroy

2:53

2

I'm Getting Sentimental Over You


Piano accompaniment, Nancy Reid,
Engineering Bill McElroy and Heidi Gerber-Salins

2:42

3

Chattanooga Choo Choo


Piano accompaniment, Nancy Reid,
Engineering Bill McElroy

2:49

4

There I've Said It Again


Piano accompaniment, Nancy Reid,
Engineering Bill McElroy

3:13

5

Smoke Gets in Your Eyes


Piano accompaniment, Nancy Reid,
Engineering Bill McElroy

2:50

6

Star Dust


Piano accompaniment, Nancy Reid,
Engineering Bill McElroy, assisted by Heidi Gerber-Salins

4:02

7

Ebb Tide


Piano accompaniment, Nancy Reid,
Engineering Bill McElroy, assisted by Heidi Gerber-Salins

2:00

8

Vaya Con Dios


Piano accompaniment, Nancy Reid,
Engineering Bill McElroy, assisted by Heidi Gerber-Salins

3:33

9

Unchained Melody


Piano accompaniment, Nancy Reid,
Engineering Bill McElroy, assisted by Heidi Gerber-Salins

3:54

10

Twelfth of Never


Karaoke track accompaniment, Sound Source, Inc.,
Engineering Bill McElroy

2:32

11

And So It Goes


Piano accompaniment, Nancy Reid,
Engineering Bill McElroy, assisted by Heidi Gerber-Salins

3:36

12

Sound of Silence


Piano accompaniment, Nancy Reid,
Engineering Bill McElroy

3:25

13

In the Ghetto


Karaoke track accompaniment, Priddis, Inc.,
Engineering Bill McElroy and Heidi Gerber-Salins

2:36

14

Morning Has Broken


Karaoke track accompaniment, SoundSource, Inc.,
Engineering Bill McElroy

3:18

15

El Sol Que Tu Eres


Piano accompaniment, Nancy Reid,
Enginering Bill McElroy

2:24

 

DRAFT Total Playing Time

46:55

 


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