In approximately 1990, Mr. David Goettee was recruited by a friend to record some duets at Bias Recording Studio. Those were recorded working with Mr. Bill McElroy as the recording engineer.
Following that David worked on several other albums. This overview list includes:
A bit over a year after Mr. Goettee's father died, in early 1998 his mother asked him to record their favorite hymns, including several religious songs.
1. The hymns were selected from the hymnals his parents had collected over their lives as their churches had replaced them with newer hymnals.
2. Plus, several additional religious songs important to them were selected for inclusion.
Ongoing work on the Romantic Duets’ album was put on hold to focus on the Hymns and Songs for Living project. (This album is also largely in the style of ballad music.)
A number of other musicians collaborated, both instrumental and vocal, by bringing their wealth of training, experience and skills to this project to create this album. Individual webpages for each participant on of this website give credits.
Work on this album was accomplished in two phases:
Although phase I of this project began in 1998, there was a major hiatus between phase I and phase II because of preemptions of life.
Mr. Goettee and Ms. Gerber-Salins worked with the traditional congregational hymns and songs they grew up with. Ms. Gerber-Salins was producer, vocal harmony arranger on several hymns, audio engineer, and a significant duet partner on most numbers, in a mix of solo, duet, and multi-part harmony singing. Ms. Gerber-Salins' voice is part of most numbers, and she also sings the lead on her arrangement of Were You There.
Phase II began the beginning of 2019, when David was able to focus on completing this project. David assumed the Producer rule, and Mr. Bill McElroy became Associate Producer, and recording engineer.
Things being completed for multiple aspects of this project include:
In this album, all hymns and songs are public domain, except:
The author and composer of Welcome Home gave permission for her song to be arranged and recorded as part of Hymns and Songs for Living.
The composer of Welcome Home previously wrote several other religious songs. Planning is just beginning on how to create arrangements for each of them and record a small album presenting all her songs.
The first simple, solo album David undertook was the private album project, Nostalgic Solos. It was ballads from the 1930's through WWII and a few decades afterward about values that make life worth living, including: love; loss; sorrow; bereavement, dedication; and needed social change. It used piano accompaniment for most, but a couple Karaoke tracks as well.
In 1991, Ms. Heidi Leah Gerber-Salins began working at Bias Recording Studio, which included assisting Mr. Bill McElroy with audio engineering on several songs on the Nostalgic Solo album. Ms. Gerber-Salins also assisted with the in-house production at Bias of a limited number of cassettes of that album for friends and family.
The current plan after completion of the project for Hymns and Songs for Living, is to revisit the Nostolgic Solos project to create a version for general availably. That will require:
In 1993 when Mr. McElroy left Bias, Ms. Gerber-Salins became Mr. Goettee’s audio engineer and co-producer. Having just completed the Nostalgic Solos, David began work on what was conceptualized to be a duet album of popular romantic songs, primarily from the 1970's through the early 1990's.
Over the next 4 years they gradually recorded materials for that project. During that time, Mr. Goettee’s and Ms. Gerber-Salins' professional relationship expanded and evolved to include Ms. Gerber-Salins fulfilling roles of co-producer, occasional singing collaborator and very importantly, friend, working together on the draft Romantic Duets album. (As noted above, work on that album was put on hold in 1998 to focus on the Hymns and Songs for Living.)
While the recorded materials for the Romantic Duets album were previously converted from analogue to digital and worked on with Ms. Gerber-Salins, they remain draft recordings. Thus, no decision has been made about release of those draft recordings.