Hymns and Songs of My Mother:
Phase I - 1998 to 2004

Phase I presents the history and credits for the wonderfully talented artists, vocalists and technical persons who participated during Phase I in creating this album.

A special note of thanks to Ms. Heidi Gerber-Salins, who in her numerous functions, was more than the "right arm" in shepherding creation of Phase I. Plus, she subsequently provided consulting during the long hiatus on what things should be undertaken in Phase II to complete this professional quality album. While Phase II carried on without her, without her involvement and dedication up front, this project likely might never have come into existance. Many, many thanks!!!

Overview of Work Completed during Phase I: 1998 - 2004

Draft recordings of the entire album were completed during Phase I (except for the new arrangement for "Welcome Home"). These included:

• A draft of all tracks, except for "Welcome Home", including numerous duets with Ms. Gerber-Salins. We also recorded a rough scratch draft of "Welcome Home" with the author/composer (Kathy Brigman Haupt) during her trip to sing this song at mother's memorial service in 1998;
• Many hymns and songs include a piano accompaniment as part of the mix;
• A portion of the hymns and songs also include accompaniments that are orchestral instruments;
• One hymn is accompanied by Celtic Harp and Shuttle Pipe; and
• For Phase I, a number of hymns included keyboard electronic simulated pipe organ and a couple included Hammond Organ. Those electronic instruments were replaced in Phase II with real pipe organ.

Links to biographical credits for each of the artists involved during Phase I are accessible from the Artists Cross Reference page at Artists Cross References. Cross references are provided both by alphabetical last name and by instrument played. Click on the appropriate artist name or instrument and it will take you to the individual describing their contributions to this album.

Technical Recording Process Note

The Phase I work on Hymns and Songs of My Mother  was recorded before wide commercial prevalence of the digital tools now widely used. The technical recording medium used for Phase I of this album, in both Studio A & B at Bias Recording Studio in Springfield, Virginia was:

• 24 track, 2 inch analog master tape;
• 30 inches per second;
• Using Dolby SR noise reduction.

NOTE. With the notable resurgence in analogue recording and production of vinyl records, Dolby SR is again more in use in recording studios with 2 inch 24 track analogue tape. Dolby SR's tape noise reduction capabilities are considered very close to what is achieved in digital recording. (However, you don't get access to the digital editing capabilities for mixing and mastering.)

For the Phase II work, the audio was converted to digital at 24 bit samples, at 88.2 samples per second.

If you wish to comment on contents of this webpage, Clicking the button below will both transfer you to the Contact/Comment page, and pass along that you were on this webpage when you decided to comment.