NOTE. Selections on this album are available for streaming from this website at Annotated Playlist. The digital version of the album is available from our online marketplace. Shortly, you will be able to place an advance order via online store for a CD version. Easy access to the online store provided via TortoiseClimbing™'s Store Access page.
Phase I presents the history and credits for the wonderfully talented artists, vocalists and technical persons who participated during Phase I in creating this album.
A special note of thanks to Ms. Heidi Gerber-Salins, who in her numerous functions, was more than the "right arm" in shepherding creation of Phase I. Plus, she subsequently provided consulting during the long hiatus on what things should be undertaken in Phase II to complete this professional quality album. While Phase II carried on without her, without her involvement and dedication up front, this project likely might never have come into existance. Many, many thanks!!!
Draft recordings of the entire album were completed during Phase I (except for the new arrangement for "Welcome Home"). These included:
Links to biographical credits for each of the artists involved during Phase I are accessible from the Artists Cross Reference page at Artists Cross References. Cross references are provided both by alphabetical last name and by instrument played. Click on the appropriate artist name or instrument and it will take you to the individual describing their contributions to this album.
The Phase I work on Hymns and Songs of My Mother was recorded before wide commercial prevalence of the digital tools now widely used. The technical recording medium used for Phase I of this album, in both Studio A & B at Bias Recording Studio in Springfield, Virginia was:
NOTE. With the notable resurgence in analogue recording and production of vinyl records, Dolby SR is again more in use in recording studios with 2 inch 24 track analogue tape. Dolby SR's tape noise reduction capabilities are considered very close to what is achieved in digital recording. (However, you don't get access to the digital editing capabilities for mixing and mastering.)
For the Phase II work, the audio was converted to digital at 24 bit samples, at 88.2 samples per second.
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